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Source Description

This ewer was a wedding gift to Francis II (reigned 1562-67) from his bride, Mary Stuart. On the upper band, Diana, chaste goddess of the hunt, rides on a cart in victorious procession, followed by nymphs and animals. Venus and Cupid, goddess and god of carnal love, are tied up on the back of the cart, representing chastity's control over desire. The theme is often found on 16th-century marriage gifts and, here, acknowledges the responsibility of a queen to ensure the purity of the family's blood line. The scene below-from the Old Testament book of 2 Kings, in which Josiah, king of Judah, reads the law publicly, reaffirming the covenant with God-evokes the greatest responsibility of a king: to rule righteously. Both scenes were adapted from contemporary prints.

Scholar Source Context

Document identity
localId
36893
label
Ewer with the Triumph of Diana and Josiah Reading the Law
core
obj
dtoType
object
pageCount
1
Source metadata
id
36893
contentType
object
stage
normalized
title
Ewer with the Triumph of Diana and Josiah Reading the Law
description
This ewer was a wedding gift to Francis II (reigned 1562-67) from his bride, Mary Stuart. On the upper band, Diana, chaste goddess of the hunt, rides on a cart in victorious procession, followed by nymphs and animals. Venus and Cupid, goddess and god of carnal love, are tied up on the back of the cart, representing chastity's control over desire. The theme is often found on 16th-century marriage gifts and, here, acknowledges the responsibility of a queen to ensure the purity of the family's blood line. The scene below-from the Old Testament book of 2 Kings, in which Josiah, king of Judah, reads the law publicly, reaffirming the covenant with God-evokes the greatest responsibility of a king: to rule righteously. Both scenes were adapted from contemporary prints.
provenance
Frédéric Spitzer, Paris, by purchase; Sale, Paul Chevallier and Charles Mannheim, Paris, April 17, 1893, no. 542; Charles Borradaile, Brighton, England, by purchase; George Robinson Harding, London [date and mode of acquisition unknown]; Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1562 (Early Modern)
rightsUri
CC0
language
en
genreSpecific
Enamels
ewers (vessels)
imageCount
1
pageCount
1
source
import
dimensionsRaw
H: 11 1/8 in. (28.2 cm)
Source extras
cul
French
med
painted enamel on copper
creator_ids
3190
collection_ids
REN
exhibition_ids
2299
97
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b52dd89e89225f69